I can never forget the excitement in my mind after seeing it (Pather Panchali).
It is the kind of cinema that flows with the serenity and nobility of a
People are born, live out their lives, and then accept their deaths.
Without the least effort and without any sudden jerks, Ray paints his
picture, but its effect on the audience is to stir up deep passions. How
does he achieve this? There is nothing irrelevant or haphazard in his
cinematographic technique. In that lies the secret of its excellence.
In Eksan, 1987
Satyajit Ray Org has a mission of promoting discussion and study of Satyajit Ray's films and filmmaking.