1989, India.
100 min., Color, In Bengali with subtitles.
| Credits |
| Producer: |
NFDC,
National Film Development Corporation of India |
| Screenplay & Direction: |
Satyajit Ray; Adapted from
the play: 'An Enemy of the People' by Henrik Ibsen. |
| Cinematography: |
Barun Raha |
| Editing: |
Dulal Dutta |
| Art Direction: |
Ashoke Bose |
| Sound: |
Sujit Sarkar |
| Music: |
Satyajit Ray |
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| Cast |
|
| Character: |
Performer |
| Dr. Ashoke Gupta: |
Soumitra Chatterjee |
| Maya, Dr. Gupta's wife: |
Ruma Guha Thakurta |
| Indrani, Dr. Gupta's daughter: |
Mamata Shankar |
| Nisith: |
Dhritiman Chatterjee |
| Haridas Bagchi: |
Dipankar Dey |
| Biresh: |
Subhendu Chatterjee |
| Adhir: |
Manoj Mitra |
Summary
The film is an adaptation of a play by Henrik Ibsen: An Enemy
of the People.It is set in a small town in Bengal. Dr. Ashoke Gupta
( Soumitra Chatterjee)
is the head of a town hospital. Gupta's younger brother, Nisith
(Dhritiman Chatterjee), is the head of the committees running the
hospital and a temple. Both were built by a local Industrialist.
The temple is also a big tourist attraction.
Dr. Gupta is convinced that the holy water of the temple is contaminated
due to faulty pipe-laying. It is causing an epidemic in the town.
He warns his brother Nisith.
Nisith, the Industrialist and other town officials reject the idea
that holy water might be the cause of the epidemic. They refuse
to close the temple to carry out the repairs.
Dr. Gupta wants to write an article in the newspaper to warn people,
but giving-in to the pressure from the powerful people, the editor
refuses to publish it.
Left with no alternative, Dr. Gupta organises a public meeting
that is also sabotaged. And Dr. Gupta is proclaimed an enemy of
the people.
Comments
Due to his medical condition after a heart-attack during making
of Ghare-Baire, Satyajit Ray was told by
the doctors not to do any location work. He was forced make a film
totally in studio. For this, he thought a play would be more suitable
rather than a story or a novel. Unfortunately, this constraint
of shooting only in studio does mar the film as a whole. Ironically,
when he began making films, Ray himself had said that he wanted
to remove "the last trace of theatricality" from his
work. In fact, Pather Panchali was so
refreshingly fresh due to its location sequences.
Having said that, Ganashatru has its merits. As Ray commented in
an interview with Andrew Robinson, his biographer:
"I found that for once one could play with human faces and human reactions,
rather than landscapes, Nature in its moods, which I have done a lot in my films.
Here I think it is the human face, the human character which is predominant."
This is true of not only Ganashatru but also Shakha Prashakha (Branches
of the Tree) and Agantuk (The Stranger).
Soumitra Chatterjee,
the young romantic Apu of Apur Sansar,
now much matured and many more lines on his face, plays Dr. Gupta.
As always, a superb performance. Ruma Guha and Mamata Shankar,
as Dr. Gupta's supportive wife and daughter, also give commendable
performances.
What others say...
Its message, about the perils of greed, religious fanaticism, and
environmental pollution, may be topical, but the film is too static
to have total impact. Still, there are enough flashes of Ray's brilliance
to make it worthwhile.
- Leonard Maltin
Awards
- Best Bengali Film, New Delhi, 1989
Other Online Reviews
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Indrani and Maya ©Nemai Ghosh

Dr. Gupta and family ©Nemai Ghosh
Nitish
and Dr. Gupta ©Nemai Ghosh

Soumitra Chatterjee
(Dr. Gupta) on the sets
©Denis Darzacq

Mamata Shankar (Indrani) on the sets ©Denis Darzacq

Shooting of Ganashatru ©Denis Darzacq
 
Satyajit Ray, on the
sets of Ganashatru.
©Denis Darzacq
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